Tag Archives: shortlist

Cosmetic Makeup Tattoo Practitioners: How To Choose The Right One For You

Cosmetic makeup tattoos are a permanent beauty procedure therefore it is important to consider your options very carefully. due to the growing popularity of cosmetic tattoos, we have prepared these useful guidelines to assist you in choosing the right practitioner.

After researching a number of qualified professionals, you should make a shortlist and then phone to arrange a consultation with each one. The majority of practitioners will provide a free consultation. Treat this meeting like an interview. Ask to see proof of their qualifications and have a list of questions ready. You should ask direct questions about their specific cosmetic tattooing experience and skills.

We recommend that you ask the following questions:

Do you have certificates to verify your training? can I see them please?
When and where did you complete your qualifications and training?
Have you continued your education and training since?
How often do you update cosmetic tattoo skills?
How many cosmetic makeup tattoos do you perform each week?
Do you belong to an Industry Association?
Have you completed the Association of Cosmetic Tattoo Certificate Exam?
Do you have a portfolio showing your work? can I see before and after photos of your clients?
Can I have the phone number of a past client to speak with them about their experience of the procedure?
Can you please explain the pros and cons of the cosmetic makeup tattoo procedures I am considering?
Do you have a current Professional Liability and Professional Indemnity Insurance policy?
Do you have a Skin Penetration License for your premises?

Don’t be afraid to ask direct and detailed questions. a qualified practitioner will be happy to answer any questions about their skills and expertise. They should be able to provide you with all the information and evidence you need to feel confident about your decision to have a cosmetic makeup tattoo.

Next, ask to see the treatment rooms. It is important to evaluate cleanliness and review their procedures. Ask if disposable attachments and needles are used. Be very upfront about this – ask to see how their disposable cosmetic tattoo equipment is packaged and ask if new needles are used for every client.

You should also evaluate the personal manner and appearance of the practitioner. Are they clean and dressed well? Do they present in a professional manner? Are they attentive and courteous? Do they listen to what you have to say or is the consultation rushed? Do you feel they genuinely want to do what you’re asking for, or do they seem to want to do their own thing? Do you feel like you can communicate well with them? Are they pushy? It is recommended that you consult with various practitioners until you find someone with whom you feel completely comfortable.

If you are satisfied with the skills of the practitioner and the cleanliness of their rooms, next you must discuss the range of colours available for cosmetic tattoo procedures. There should be an extensive range of colours to choose from. Ideally, look for practitioners with a range of more than 30 colours in total. Ask to see all of the pigment colours available. a good practitioner will have at least ten options for eyebrow tattoos, another ten colours for lips, and extra pigment choices for their eyeliner work.

A final warning, do not select a cosmetic makeup tattoo practitioner on the basis of price only. Remember this is a long-lasting procedure and one that cannot be reversed easily. The practitioner should be selected on the basis of their expertise. use these guidelines to assess the competency, honesty, professionalism and reputation of the practitioner. usually, prices for cosmetic makeup tattoo procedures should range from $400 to $1,500 for a single treatment. If you’re considering using a practitioner who is charging less than this they may be cutting corners and delivering disappointing results.

Cosmetic Makeup Tattoo Practitioners: How To Choose The Right One For You

For a Once-Rational Jewish Mother-To-Be, Pregnancy Brings Out the Superstitions – Tablet Magazine

Even a cell phone can tempt evil spirits.(Tablet Magazine)

The name was obviously perfect as soon as it came out of my mouth, during a sleepy bedtime conversation with my husband about what we plan to call our son. I spent months struggling to imagine using any of the perfectly fine names on our original shortlist, but this one was everything we wanted: classic without being archaic, familiar without being common, striking in its full form without being awkward in the diminutive. It’s a name I can’t wait to share—which is why I was surprised to find myself on a windswept street corner a few weeks ago, admonishing my husband for putting it in a text message as I shivered in the cold January night.

“Don’t do that! bad luck! Shhh!” I tapped out in a frenzy.

“Can’t help it!” he responded.

A clammy wave of fear and irritation washed through me. “But what about the Angel of Death?” I typed, before promptly erasing it. The Angel of Death? in stark black-and-white pixels, on a screen powered by electricity and chemicals and human ingenuity, it looked crazy. I shoved the phone into my bag and slid my gloves back on.

I used to live firmly in the observable world. When it came to my physical wellbeing, I trusted the power of medical technology to establish cause and effect. Twisted ankle? A quick X-ray shows whether anything is broken. Sore throat? A culture determines whether or not it’s strep, and antibiotics cure it. Tests identifying a cluster of pre-cancerous cells? There’s surgery to scrape them away, and close monitoring to trigger a repeat if they return. Things are, or they are not, and that’s that.

Pregnancy, I assumed, would work the same way. After all, it was a litmus test that confirmed it in the first place: two pink dashes on a plastic stick, easy as handing over $12 at the drugstore. A few weeks later, we heard a heartbeat, transmitted via sonogram, and a few weeks after that got our first visual confirmation via ultrasound that the bump in my belly housed an actual baby, who has two arms and two legs, 10 fingers and 10 toes, two little ears and a tiny button nose.

Then came the genetic tests, which I was startled to discover offer results in the form of percentages, rather than certainties. our numbers were good, but if we wanted guarantees, we were told, we needed to do an amniocentesis—a test whose chances of hurting the baby were higher than the outside possibility that something was actually wrong. in other words, it was riskier to pursue a definite answer than to trust the statistics—a choice that, for us, was no choice at all. But that little seed of uncertainty took root in my mind and has been steadily watered by a cascade of “wait and sees” on everything from how big the baby will be to how labor will go. Now, with less than a month before delivery, it’s blossomed into the idea that the baby is like Schrödinger’s poor cat: simultaneously perfect and afflicted, not one or the other but both, until he emerges from the black box of my belly into the world, where we can see him for ourselves. Knowing a little bit turns out to be as good, or bad, as not knowing anything at all.

The fact that we live with the uncertainty for nine whole months—and that the evidence of the mystery is always right in front of me—is why, I’ve discovered, pregnancy is a particularly ripe condition for spawning superstition. “Whenever you have a situation where there’s a lot at stake, and you’ve done everything you possibly can to make sure there’s a happy outcome but there’s still a lot of uncertainty, it’s a perfect circumstance for superstitions to emerge,” Stuart Vyse, a professor at Connecticut College who specializes in the psychology of irrational beliefs, told me. “Establishing some kind of ritual or lucky thing you do makes you feel better, because it gives you the illusion of control.”

And Jews have spent centuries accumulating a vast catalog of practices surrounding pregnancy and childbirth: a trove of off-the-shelf totems to fit any anxiety that, for someone as determinedly secular as I am, has the added appeal of coming wrapped in echt Jewish authenticity. “You can trace the magic to the Babylonians, the ancient Greeks, you can see the common denominators,” said Michele Klein, an expert in Jewish birth folklore and customs. “But the Jews have a written heritage and have channeled it and processed it and turned it into a way to maintain Jewish identity, separate from other peoples.” So, expectant Jewish parents can rely on charms like the hamsah to ward off the evil eye or tie red strings around their wrists for good luck—or resort to time-honored tricks like not saying a baby’s name aloud before it is formally bestowed at the bris, eight days after birth, to avoid attracting notice from vindictive spirits.

Which is why, despite there being nothing in the Talmud about my omnipresent Angel of Death, it felt like a distinctly Jewish thing to fear. along with the evil eye—ayin hara—it’s a concept that has become woven into the warp of Jewish observance, so much so that it can be thought of as “superhalachic.” (Another is the habit of wishing a pregnant woman “b’sha’ah tovah”—“in good time”—rather than a standard mazel tov.) “The overwhelming majority of these things are not legally or textually based,” said Rabbi Dr. Edward Reichman, who teaches Jewish medical ethics at Yeshiva University. Superstitious habits like not revealing a baby’s intended name before the bris, or not outfitting a nursery until a baby is born, dovetail with other legally sanctioned practices, like not planning a funeral until a person has died. “There is a belief that you don’t want to prophesize or look to the future in ways that are inappropriate,” Reichman told me. “There’s nothing in halacha about not calling a mohel before a baby’s born, but you don’t want to anticipate God’s work—so you wait.”

Allison Hoffman is a senior writer for Tablet Magazine.

For a Once-Rational Jewish Mother-To-Be, Pregnancy Brings Out the Superstitions – Tablet Magazine

In conversation with Sharmeen Obaid-Chinoy

Sharmeen Obaid on sets.

Sharmeen Obaid-Chinoy is bold. She seeks stories that touch the heart and turns them into movies that break it. having worked on subjects ranging from child abuse, violence against women, terrorism and natural disasters, Chinoy is passionate about films and views everything through a human mind and yet with the lens of her camera.

From being a brilliant journalist, to an established filmmaker, Chinoy has come a long way. After becoming the first Pakistani to win an Emmy Award, the first non-US citizen to win the Livingston Award for Young Journalist, she has now become the first Pakistani individual to earn an Oscar nomination.

Last October, Chinoy revealed that her documentary Saving Face had entered the shortlist of best Documentary (short film) category for the Oscars.

Here, she talks to Dawn.com about the long journey to the Oscars, moments after the Oscar nominations were revealed.

What was it that motivated you to work on this subject, which continues to be neglected in the mainstream media? The film chronicles the work of acclaimed British Pakistani plastic surgeon, Dr Mohammad Jawad as he travelled to Pakistan and performed reconstructive surgery on survivors of acid violence. There my co-director, Daniel Junge suggested that we should make a documentary on this. I was sold in an instant, since I personally feel that acid attacks are the worst form of violence, I stuck to the idea and was determined to show the world the process a woman goes through after this hideous act. I would also like to thank the women for the resilience, patience and dedication they showed throughout the filming of this documentary.

The movie is shot entirely in the Seraiki belt. How common are acid attacks in that part of the country? The Seraiki belt is sadly the most backward and conservative area of Pakistan, where torturing women is not considered a crime.

What have your critics said about the documentary and its nomination now? It has been released only in American cinemas and has received a great response so far. regarding the nomination [chuckles], it has just been an hour since the nominations came out so no criticism yet.

Do you have any plans to follow the lives of these victims? Yes we have a complete program ready for this. we will be reaching out through a nationwide program, where we will screen this documentary and encourage the victims to speak at local colleges and schools in order to spread awareness. also, we will be working with international organisations to provide the victims with skills through training programs and there are plans to rehabilitate some of these women.

What is the status of Taboo Beauty? Taboo Beauty has been renamed to Transgenders: Pakistan’s Open Secret and has already been screened in the UK.

When and how does the Pakistani public get to see Saving Face? The film will be aired on March 8 by HBO, which will be followed by screening in selected cinemas across Pakistan.

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In conversation with Sharmeen Obaid-Chinoy

In conversation with Pakistan’s first Oscar nominee

By Moiz Kazmi Dawn Daily/Asia News Network Thursday, Jan 26, 2012

Sharmeen Obaid-Chinoy is bold.

She seeks stories that touch the heart and turns them into movies that break it.

Having worked on subjects ranging from child abuse, violence against women, terrorism and natural disasters, Chinoy is passionate about films and views everything through a human mind and yet with the lens of her camera.

From being a brilliant journalist, to an established filmmaker, Chinoy has come a long way.

After becoming the first Pakistani to win an Emmy Award, the first non-US citizen to win the Livingston Award for Young Journalist, she has now become the first Pakistani individual to earn an Oscar nomination.

Last October, Chinoy revealed that her documentary Saving Face had entered the shortlist of Best Documentary (short film) category for the Oscars.

Here, she talks to Dawn.com about the long journey to the Oscars, moments after the Oscar nominations were revealed.

What was it that motivated you to work on this subject, which continues to be neglected in the mainstream media?

The film chronicles the work of acclaimed British Pakistani plastic surgeon, Dr Mohammad Jawad as he travelled to Pakistan and performed reconstructive surgery on survivors of acid violence.

There my co-director, Daniel Junge suggested that we should make a documentary on this.

I was sold in an instant, since I personally feel that acid attacks are the worst form of violence, I stuck to the idea and was determined to show the world the process a woman goes through after this hideous act.

I would also like to thank the women for the resilience, patience and dedication they showed throughout the filming of this documentary.

The movie is shot entirely in the Seraiki belt. How common are acid attacks in that part of the country?

The Seraiki belt is sadly the most backward and conservative area of Pakistan, where torturing women is not considered a crime.

What have your critics said about the documentary and its nomination now?

It has been released only in American cinemas and has received a great response so far.

Regarding the nomination [chuckles], it has just been an hour since the nominations came out so no criticism yet.

Do you have any plans to follow the lives of these victims?

Yes we have a complete program ready for this.

We will be reaching out through a nationwide program, where we will screen this documentary and encourage the victims to speak at local colleges and schools in order to spread awareness.

Also, we will be working with international organisations to provide the victims with skills through training programs and there are plans to rehabilitate some of these women.

What is the status of Taboo Beauty?

Taboo Beauty has been renamed to Transgenders: Pakistan’s Open Secret and has already been screened in the UK.

When and how does the Pakistani public get to see Saving Face?

The film will be aired on March 8 by HBO, which will be followed by screening in selected cinemas across Pakistan.

In conversation with Pakistan’s first Oscar nominee